Director Naoya Kurisu and the independent Japanese animation label Hand to Mouse. officially revealed their new 3D CG-animated short film, “Kinuginu no Hanayuki” (Frost Flowers After a Night of Frolicking), on Thursday. The film is set to premiere in Japan on October 17, 2025, with screenings alongside a digitally remastered version of Kurisu’s earlier work, “Sleep Tight My Baby, Cradled in the Sky” (Nemure Omoi Ko Sora no Shitone ni).
A Glimpse into “Kinuginu no Hanayuki”
“Kinuginu no Hanayuki” is a 15-minute 3D CG-animated short film that promises to showcase Kurisu’s latest creative endeavors in the animation space. The title, which translates to “Frost Flowers After a Night of Frolicking,” hints at a potentially delicate or poignant narrative. The release marks another significant project from Kurisu and Hand to Mouse., known for their distinctive independent animation style.
Dual Audio Options for Viewers
Upon its theatrical release on October 17, “Kinuginu no Hanayuki” will be screened with a modern Japanese dub. However, in a unique offering for viewers and a nod to historical accuracy or artistic intent, a period-accurate Japanese dub is also planned for release at a later, unannounced date. This dual audio approach could provide different interpretations or experiences of the short film’s narrative and setting.
Screening Alongside a Remastered Classic
The decision to pair “Kinuginu no Hanayuki” with a digitally remastered version of “Sleep Tight My Baby, Cradled in the Sky” creates a compelling double feature for Japanese audiences. “Sleep Tight My Baby, Cradled in the Sky” was an earlier work by Kurisu and Hand to Mouse. that, despite some technical rawness, was noted for its interesting storytelling. The remastered version will allow both new and old fans to experience the film with enhanced visual quality, providing context to Kurisu’s artistic progression leading up to “Kinuginu no Hanayuki.”
Naoya Kurisu’s Evolving Vision
Naoya Kurisu has established a reputation within the independent animation scene for crafting distinctive visual narratives. The revelation of “Kinuginu no Hanayuki” underscores Kurisu’s continued exploration of 3D CG animation as a medium for storytelling. Fans and critics alike will be keen to observe how this new short film builds upon the foundation of his previous works and further defines his unique directorial vision. The combination of an original 3D CG short with a remastered older film offers a comprehensive look at the director’s journey and capabilities.
