Tokyo, Japan – December 9, 2025 – The latest installment of the highly anticipated anime series, “Touring After the Apocalypse” (Shuumatsu Touring), has captivated audiences with its tenth episode, titled “Oarai, Oya, Nikko.” The episode continues to follow protagonists Yoko and Airi as they navigate the melancholic yet beautiful ruins of post-apocalyptic Japan, exploring new locations and revealing subtle insights into their evolving relationship and individual natures.
Exploring New Landscapes: Oarai, Oya, and Nikko
Episode 10 takes the duo on a scenic and eventful journey through the distinct regions of Oarai, Oya, and Nikko. From coastal towns to mountainous terrains, the picturesque backdrops continue to highlight the series’ unique blend of adventure and serene desolation. Viewers witness the continued exploration of places reclaimed by nature, offering a glimpse into how the world has transformed after the “apocalyptic rain of huge meteors.”
Yoko’s Protective Instincts and Unseen Realities
A recurring theme in the episode, and the series as a whole, is Yoko’s tendency to shield her android companion, Airi, from the harsher realities of their desolate world. In a particularly poignant scene, while visiting a very cold rock mine (four degrees Celsius), Yoko discovers well-preserved human corpses. She quickly retreats, ensuring Airi does not see them, a behavior mirrored from a previous episode where she encountered a corpse in an upstairs bedroom and simply left without reporting it. This consistent action raises questions among viewers about Yoko’s motivations, with some speculating it’s her attempt to assume a “Big Sis” role for the seemingly younger Airi, or perhaps a way to maintain their shared sense of optimistic normalcy in an otherwise bleak existence.
The Human Element: Yoko’s Emotions and Identity
The episode further delves into the nuances of Yoko’s character, particularly her emotional responses. Discussion forums have highlighted a moment where Yoko is shown crying, providing strong evidence to many viewers of her inherent humanity. This contrasts with Airi’s cyborg nature, prompting reflection on whether Yoko is genuinely the last human, or if her advanced AI capabilities allow for such complex emotions. Flashbacks throughout the series featuring a long-haired girl are also confirmed in this episode to be Yoko herself, providing more context to her past before the apocalypse.
Supernatural vs. Scientific: A Falling Rock and a Lightning Bolt
A dramatic moment unfolds when Yoko and Airi face a perilous situation involving a massive falling rock. Just as danger looms, a bolt of lightning strikes, shattering the rock and saving the intrepid duo. Yoko, with her whimsical outlook, attributes this miraculous intervention to the spirit of a giant spear-wielding warrior, Saitō Musashibō Benkei. Airi, in typical fashion, offers a more “realistic romantic” explanation, suggesting it might be an energy beam from an orbital satellite, possibly linked to Yoko’s “Big Sis.” This recurring dynamic between Yoko’s imaginative interpretations and Airi’s logical deductions adds a layer of charm and philosophical pondering to their adventures.
Automotive Discoveries and Nostalgia
The journey also includes a stop at what appears to be a car museum or a section of a racetrack. Here, Yoko expresses a desire to ride a motorcycle, leading to an encounter with an attendant robot, identified as Ichi or Ichon. This interaction touches upon the remnants of pre-apocalyptic life and Yoko’s connection to the past through her passion for motorcycles, which is a central element of the series as they traverse Japan on their electrified Yamaha Serow.
“Touring After the Apocalypse” continues to be praised for its unique blend of post-apocalyptic exploration, character development, and breathtaking scenery. As Yoko and Airi continue their journey, each episode provides not only new landscapes but also deeper insights into what it means to survive and find purpose in a world reborn.
