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You are at:Home»Manga»‘Only Talk’ Manga by Michi Ichiho and Takako Shimura Concludes

‘Only Talk’ Manga by Michi Ichiho and Takako Shimura Concludes

AnimeNEETAnimeNEETFebruary 24, 20254 Mins Read
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The collaborative manga Only Talk, created by writer Michi Ichiho and artist Takako Shimura, has reached its conclusion. The final chapter was published on Tuesday, February 25, 2025, in the 75th issue of Shodensha’s OnBLUE boys-love magazine.

A Unique Collaboration Ends

Only Talk distinguished itself with Ichiho’s writing and Shimura’s art. The manga launched in April 2024 in OnBLUE‘s 70th issue, quickly capturing readers with its premise centered around the world of manzai comedy.

The Story of Only Talk

The manga follows Tō Komine, a young manzai performer who, after five years in the industry, finds his passion waning. The only thing that still ignites his enthusiasm is the work of his older peer, Akira Iida. Only Talk delves into their relationship and the dynamics of the Japanese comedy scene.

Release Details

The compiled book volume of Only Talk is scheduled for release on April 25. This single volume will contain the entirety of the manga series, allowing fans to experience the complete story in one collection.

The Creative Talents Behind Only Talk

Michi Ichiho: Author

Michi Ichiho is a recognized author in the boys-love genre. Ichiho debuted the Yes, No, or Maybe? light novel series in November 2014, featuring illustrations by Lala Takemiya. This series has gained international recognition, with Seven Seas Entertainment releasing it in English. Yes, No, or Maybe? was adapted into an anime that screened at the BL FES!!- Boys Love Festival!!- in December 2020 and is currently available for streaming on Crunchyroll.

Takako Shimura: Artist

Takako Shimura is a well-known manga artist celebrated for works that explore LGBT themes. Shimura is best known for Wandering Son and Sweet Blue Flowers, both of which have been adapted into anime series in 2011 and 2009, respectively. She also contributed original character designs to anime such as Aldnoah.Zero, Battery the Animation, and Overtake!.

  • Wandering Son: Explores gender identity.
  • Sweet Blue Flowers: Deals with lesbian themes.

Fantagraphics Books publishes Wandering Son in North America, while Viz Media releases Sweet Blue Flowers. Seven Seas is also releasing Shimura’s Even Though We’re Adults digitally and in print; this manga is set to inspire a live-action series premiering on Hulu in Japan on April 26.

Manzai Comedy: The Heart of Only Talk

Only Talk uses the backdrop of manzai comedy to explore its characters and relationships. Manzai is a traditional style of Japanese comedy involving two performers: a boke (idiot) and a tsukkomi (straight man). The boke makes ridiculous statements or actions, while the tsukkomi provides sharp, critical retorts.

Significance of Manzai

Manzai is more than just a comedy routine; it is a cultural art form with deep roots in Japanese society. The dynamic between the boke and tsukkomi requires trust, understanding, and impeccable timing. Only Talk uses this framework to explore the evolving relationship between Tō Komine and Akira Iida, highlighting their individual struggles and shared passions.

Other Works by Michi Ichiho

Michi Ichiho has a significant catalog of works. Some of her notable series include:

  • Yes, No, or Maybe? (Light Novel): A popular series with multiple books and a spinoff.
  • When it rains, it pours: Another notable series.

Ichiho’s works often delve into complex relationships and emotional journeys, making her a respected figure in the boys-love genre.

Other Works by Takako Shimura

Shimura’s body of work includes several notable titles:

  • Happy-Go-Lucky Days: An anime film adaptation was released in Japan in October 2020.
  • Even Though We’re Adults: A manga about adults navigating love.

Shimura’s manga often touch on sensitive and important topics, earning her praise for her nuanced storytelling and character development.

Reception and Impact

Only Talk, though a short series, provided a unique narrative within the boys-love genre by incorporating elements of Japanese comedy. The combination of Michi Ichiho’s storytelling and Takako Shimura’s artistic style attracted a dedicated readership. The manga’s focus on the characters’ emotional and professional lives resonated with readers, making its conclusion a notable event for fans of both creators.

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