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You are at:Home»Episode Reviews»SANDA Episode 7: A Deep Dive into Dangerous Wishes and Shifting Friendships

SANDA Episode 7: A Deep Dive into Dangerous Wishes and Shifting Friendships

AnimeNEETAnimeNEETNovember 16, 20253 Mins Read6
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In the dystopian near-future of SANDA, where childhood is meticulously controlled and traditional holidays are all but forgotten, the anime’s seventh episode plunges viewers deeper into the complex emotional landscape of its protagonists, particularly through a heartbreaking test of friendship and the introduction of a chilling new threat. Released on November 15, 2025, this installment, produced by Science Saru, explores the profound consequences of Kazushige Sanda’s dual identity as Santa Claus and challenges the very notion of childlike innocence.

The Strains of Friendship: Amaya’s Tough Decision

At the heart of SANDA Episode 7 is the emotional confrontation between Kazushige Sanda and his friend Hitoshi Amaya. Concerned for Sanda’s safety amidst the growing dangers associated with his Santa Claus persona, Amaya makes the difficult decision to end their friendship. This choice stems from Amaya’s realization that their connection is drawing unwanted attention and putting Sanda at increased risk, especially as Headmaster Oshibu grows more suspicious. Sanda, unable to accept this, desperately tries to salvage their bond, highlighting the emotional weight of their strained relationship. The episode deftly navigates the complexities of protecting a loved one, even if it means creating distance. However, later in the episode, Amaya’s loyalty shines through when he intervenes to save Sanda from a perilous situation, reaffirming their friendship despite his earlier intentions.

The Chilling Introduction of Class 10

A significant and unsettling development in “Episode 7” is the unveiling of “Class 10,” a group of ten students with a disturbing history: they have all murdered adults. These children are depicted as monstrous, manipulating their innocent appearance to ensnare Santa in danger. Their sadism becomes apparent when they request Santa’s thumbs as trophies, exploiting his inherent flaw—his inability to refuse a child’s wish, regardless of its intent. This class resides in a sub-basement, suggesting a containment measure for these troubled youths within the rigid educational system.

Oshibu’s Calculated Moves

Meanwhile, Headmaster Hifumi Oshibu, still bearing the scars from his previous encounter with Santa, finds solace in the praise of Saburo Yagiuda. As he recovers, Oshibu sets his sights on Class 10, approaching these adult-killer children as part of his larger strategy. This move signals an ominous future, as Oshibu appears to be assembling a formidable team, further escalating the conflict between the adults in power and Sanda’s mission to protect children.

Fuyumura’s Timely Intervention and Unwavering Resolve

Just as Santa finds himself in a dire predicament with Class 10, Shiori Fuyumura makes a dramatic and impactful entrance. Unlike Sanda, who is bound by his Santa duties and cannot physically harm children, Fuyumura demonstrates her unwavering resolve by fighting the murderous students without hesitation to protect Santa. Her explosive rescue not only highlights her combat prowess but also underscores the crucial role she plays in balancing Sanda’s inherent limitations, showcasing a dynamic partnership essential for their survival in this dangerous world.

Thematic Resonance: Self-Sacrifice and Dystopian Realities

“SANDA Episode 7” deepens the series’ exploration of complex themes. The narrative surrounding Amaya’s attempt to distance himself from Sanda to ensure his safety, coupled with Sanda’s struggle with the self-harm required to fulfill a child’s deadly wish, strongly conveys the idea of self-sacrifice as an integral part of adulthood. The episode continues to build upon the elaborate dystopian world, raising the stakes by introducing organized child-killing and portraying childhood innocence as something that can be weaponized. This installment sets the stage for substantial plot developments, promising a thoughtful yet brutally honest examination of the “intergenerational” and “system versus individual” themes central to the SANDA narrative.

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